As a guest on Eli Roth’s History of Horror, Rider Strong explained that Cabin Fever is about the horror of people turning on each other.
CABIN FEVER MOVIE CABIN BULLHOLE SERIES
He also hosts the series Eli Roth’s History of Horror. Roth went on to write and direct Hostel (2005), The Green Inferno (2013), and Knock Knock (2015), among other films. He wrote the film with his former NYU roommate, Randy Pearlstein, while he was working as a production assistant for the film Howard Stern’s Private Parts (1997). By the time Cabin Fever had its Midnight Madness screening, Lionsgate had acquired the film for $3.5 million and committed to spending $12 million on prints and advertising, which was the largest screen commitment Lionsgate had done up to that point.Cabin Fever (2002) was Eli Roth’s directorial debut. The film's placement on the schedule gave Roth enough time to gather the money to finish mixing and get prints made for the project. He got a hold of the film, loved it, and added it as the festival's closing feature. The director submitted the film to the Toronto Film Festival, but it was ultimately rejected.Įnter Colin Geddes, the head of programming for the Midnight Madness portion of the festival. Roth needed another $400,000 to finish mixing the project, and he was at a point where he was borrowing money from his parents to make his rent. How Cabin Fever became the subject of a bidding war is the stuff of horror legend. Sometimes, fearful situations can make even the most sane people act completely irrationally. In fact, the commentary of Cabin Fever is so timeless that it truly resonated as the world endured the COVID-19 pandemic and human nature showed its true colors in the face of disease. Roth was speaking on how society can treat each other when there is a lack of understanding, and horror fans know that the genre is prime for this sort of social commentary. Once they come to believe that they could be spreading some kind of disease, they decide to try and kill the infected out-of-towners. Due to his appearance, the locals have now deemed him a threat and declare that he needs to be stopped. Once the virus begins to spread among the group, one of the friends returns to that same store, completely disheveled and in need of help. The brilliance of Roth's script, one he co-wrote with friend Randy Pearlstein, is that we later see the reversal of all of this. Related: Thanksgiving Trailer & Poster Turn Eli Roth’s Grindhouse Slasher Into Real Movie Something about the people seems off, and they make no real secret that they think something is weird about some of the locals they encounter, particularly when they make a stop at a variety store to get alcohol. They're clearly uncomfortable in an environment that isn't like their own, and they have a bit of a superiority complex when it comes to being there.
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As the college friends enter the town where the cabin resides, we get an instant depiction of urban vs. The flesh-eating virus consuming the group does lead to some deliciously gory sequences that are bound to make horror fans smile, but there are more layers at play. What made Cabin Fever stand out was that it was more than what its basic premise promised.
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